Project Power Movie Review
It has been 10 years since Catfish launched the duo of directors Henry Joost and Ariel Schulman as promises of ambitious and minimally substantial cinema. If a decade later they were unable to repeat the enthusiasm and narrative effervescence of the premiere, it is impossible to say that they are incoherent in pursuing a thematic cut that they have committed to since 2010 and it makes sense now in Power , the most important product Netflix of the season that points, without exercising a hermetic authorial curve, a proposal that connects it to previous features without creating a structural link, only conceptual. His main interests go through an investigation of young society with what is fantastic about modernity, and how much that same department contains elements that make this relationship positive or negative. From the overwhelming reach of the internet to the addictive connection in games by application, through subdivisions of fear, from the technology that sees everything u...